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3D Multiple Layers Fusing
with Emma Varga
During this class, Emma will introduce her original method of fusing and casting multiple layers of glass, which she has been exploring and developing, with great success, for past 20 years. This innovative technique enables fusing/casting of thin glass sheets used to set up layers composed of tiny mosaic-like elements, thus achieving three-dimensional images inside the transparent fused/cast sculptural object.
This class will focus on a new way of three-dimensional thinking in creating glass objects; on using properties of glass to achieve visual effects as well as to achieve a sense of movement within cast glass objects. You are not required to have previous experience in glass fusing. Beginners will be able, along with students possessing advanced glass fusing skills, to create and finalize their own three-dimensional glass objects during this class. Additionally, you will receive basic information about grinding and polishing three-dimensional glass objects. At all times, students will have access to an extensive digital gallery in Emma’s laptop including images of recent work as well as closeups revealing fine details on layers inside the glass object. Expect to discover an exciting new method of creating images within transparent three-dimensional glass objects.
In the past 10 years, Emma experimented with new techniques such as glass mosaics made from pre-fused elements, as well as sculptural objects constructed from tiny pâte de verre elements - a rather unusual and innovative application of pâte de verre technique. Another field of experimentation is using pâte de verre elements for inclusion onto layers of fused/cast objects. During her class, Emma will demonstrate and explain these methods, as well as vast possibilities and combinations. Students will be encouraged to experiment and play with kilnforming techniques in order to create a range of small fused, cast objects.
Evening Open Studio
Studios are open until 9:30PM for students to practice. Depending on the class, process, and techniques, this time might be highly suggested by instructors for students to use. In other classes, this time might be considered optional.
For more information, please review Summer Intensives.
Learn more about Emma Varga at www.emmavarga.com
Borosilicate Glass Flameworking Fundamentals -- Solid & Hollow
with Tim Drier
In this five–day class we will explore fundamentals and techniques for working with borosilicate glass. We will make small marbles, animals, and hollow bottles as we build on the basics of manipulation and addition of hot glass in the flame. We will round out this class by exploring surface design with color rod and frit designs for getting that artistic look that is an exciting addition to clear rod and tubing.
Torch set up and adjustment will be covered as well as home studio design/safety, regulators, ventilation, and oven selection.
All levels of experience are welcome to this class.
Evening Open Studio
Studios are open until 9:30PM for students to practice. Depending on the class, process, and techniques, this time might be highly suggested by instructors for students to use. In other classes, this time might be considered optional.
For more information, please review Summer Intensives.
Learn more about Tim Drier at https://www.instagram.com/driertim/?hl=en
Explore Coldworking!
with František Janák
With 60 years of experience and practice in the field of coldworking, František hopes to pass on the vast knowledge that he has acquired. He is coming from Czechia where coldworking has earned a long and strong tradition. In this class you will learn a step-by-step process to make a small glass sculpture from a solid block of glass and decorative, rich cutting to make patterns on blown vessel blanks. Together we will build a strong foundation for professional craftsmanship. The class will cover multiple approaches to shaping, sculpting, engraving, grinding, and polishing glass.
You will also learn how to assemble components using Ultraviolet Epoxy and properly set up and use different machines like horizontal flatting mill, vertical lathes, diamond saws, and belt sanders. With each machine there are specific and different grinding, smoothing, and polishing tools, materials, and processes. These tools include original Czech-made diamond, stone, and resin wheels. You will also be provided with information on how to design a perfect professional cold shop, including the necessary equipment.
No previous coldworking experience is required, although intermediate coldworkers are very welcome and may learn more than they have ever expected.
All students are welcome! Intermediate and advanced students will also be able to learn new skills and hone their existing skills.
Evening Open Studio
Studios are open until 9:30PM for students to practice. Depending on the class, process, and techniques, this time might be highly suggested by instructors for students to use. In other classes, this time might be considered optional.
For more information, please review Summer Intensives.
Fires of Creation: A Journey in Beads, Chains, and Fusion Spark Design
with Ghislaine Sabiti
This class introduces students to the fundamentals of flameworking with borosilicate glass chain fusing. Learn to create colorful, expressive glass beads by mastering torch safety, shaping, and surface decoration techniques. Explore the process of making strong, artistic glass chain links using methods such as the parallel rod technique and surface texturing. Perfect for beginners and intermediate flame workers, this class offers hands-on practice and creative exploration to build your skills and confidence in glass jewelry making.
Discover the vibrant world of glass art in this hands-on, multi-session class where creativity meets craftsmanship. Whether you’re a beginner or looking to build intermediate skills, this immersive course offers step-by-step guidance to create stunning glass jewelry from creative patterns, chain, and fusing.
Evening Open Studio
Studios are open until 9:30PM for students to practice. Depending on the class, process, and techniques, this time might be highly suggested by instructors for students to use. In other classes, this time might be considered optional.
For more information, please review Summer Intensives.
Learn more about Ghislaine Sabiti at www.ghislainesabiti.com
Flowers and Fauna
with David Licata
Inspired by the complexity of nature, this flameworking class will break it all down to the basics. From glass flowers, and trees to coral reefs, bring your creativity and talent to the table and to the torch.
The five-day class will be tailored to each student's abilities so all levels are welcome. Demonstrations will be tailored to individual students.
Evening Open Studio
Studios are open until 9:30PM for students to practice. Depending on the class, process, and techniques, this time might be highly suggested by instructors for students to use. In other classes, this time might be considered optional.
For more information, please review Summer Intensives.
Learn more about David Licata at www.Davidlicata.com
A Deeper Image—Flourishes, Fancies, and Festoons in Hot Casting
with JW May
Hot casting is more than just pouring glass into a mold.
In this five-day class, we will use blown/hot worked, torchworked, kiln cast, fused, coldworked and hot cast glass components, as well as metal and unconventional materials, and combine these many different parts into multi-layer hot castings. We’ll also add imagery through several different methods, including decals and silk screening. Beginning with the construction and selection of elements, we will discuss investing the objects into the sand, layering them with hot glass, adding more and more components and layers in the kiln.
Using premade parts and hot castings, we will create a work divested from traditional open-face hot castings and utilizing all the best qualities of different glass processes.
You will also learn the basics of hot glass casing into sand molds. Using organic and found objects to make impressions into the sand, hot glass will be ladled into the form, as well as some metal and graphite molds. We will treat the sandbox as a canvas for collage, improvisation, and rapid prototyping.
You are encouraged to bring a variety of small, rigid objects that can be pressed into the sand as well as some small organic items, such as leaves and flowers, which can be ladled over. Emphasis will be placed on a general survey of tips and tricks for making successful and unique objects as well as linking and displaying those works.
Students should bring a sizable (as much as possible) and varied library of reference material and objects to work from.
This class is great for glass artists who are experienced in other techniques that want to bring their fusing, or casting, or torchworked objects into the hot shop in an unconventional way.
Beginners and non-glass artists are also very welcome so long as you don't mind playing in the sand.
Evening Open Studio
Studios are open until 9:30PM for students to practice. Depending on the class, process, and techniques, this time might be highly suggested by instructors for students to use. In other classes, this time might be considered optional.
For more information, please review Summer Intensives.
Learn more about JW May at www.jwmay.com
Strata-Exploring Color and Creativity
with Morgan Madison
In this class we will explore layering transparent sheet glass to create rich color palettes and artwork of depth and character. This comprehensive kilnforming class is designed to inspire you, enhance your technical skills, challenge you to think critically about your work, and deepen your experience working with color in kilnforming. We will cover all aspects of Madison’s process of working with sources of inspiration, designing with analog and digital tools, cutting and assembly of compositions, and firing.
We will begin by designing and creating test pieces to explore possible outcomes and develop an understanding of how colors interact when layered. This foundation will guide our approach to subsequent projects that are well-considered and thoughtfully crafted. Throughout the course we will work one-on-one to strategize and tailor the techniques and process to fit your skills, style, and interests.
Discussion of firing schedules, finishing work in the cold shop, and strategies for presenting your work for display will round out the content. Outcomes will include test pieces valuable for future reference and at least one well-considered work that is brought to completion. We will also have the chance to create a simple custom-made stand for presenting this work.
The aim of this class is to be a lasting experience that provides you with simple yet powerful tools to support the pursuit of your unique visions in kilnformed glass efficiently, confidently, and to have fun while doing so.
This class is suited to a variety of levels of experience in kilnforming but a foundation of basic glass cutting skills will be highly advantageous. Digital design tools that will be used include Sketchbook (a free and accessible app available for most tablets) and Photoshop.
Evening Open Studio
Studios are open until 9:30PM for students to practice. Depending on the class, process, and techniques, this time might be highly suggested by instructors for students to use. In other classes, this time might be considered optional.
For more information, please review Summer Intensives.
Learn more about Morgan Madison at morganvanmadison.com
Deep Relief Dry Plaster Casting
with Sean Hennessey
Discover an easy, versatile, and economical way to create bas relief and deep relief kilnformed glass. Using found objects and fabricated forms, you’ll press originals into plaster powder to create backgrounds and foregrounds, then slump sheet glass into your molds. Working with Tekta Clear Bullseye glass and glass paints, you’ll learn glass cutting, moldmaking, and the kiln schedule for this technique. With minimal coldworking, you’ll use a wet tile saw and wet belt sander to finish your pieces.
This remarkable and nearly waste-free casting method offers endless possibilities for fine art, public art, and architectural applications.
This five-day class is suitable for beginners or experienced glass sculptors, and all skill levels.
Evening Open Studio
Studios are open until 9:30PM for students to practice. Depending on the class, process, and techniques, this time might be highly suggested by instructors for students to use. In other classes, this time might be considered optional.
For more information, please review Summer Intensives.
Learn more about Sean Hennessey at Sean-hennessey.com