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Flame to Form: Beadmaking Foundations & Beyond
with Alessia Fuga
Ready to turn fire and glass into wearable art?
Join us for an immersive beadmaking experience where you'll learn to shape, decorate, and design stunning glass beads.
No experience? No problem.
Already started? We’ll help you grow.
In this five-day class, you will begin by learning how to set up and work confidently but safely in a studio environment. You’ll gain a solid understanding of ventilation, personal protection, proper heat management, and the tools of the trade — mandrels, marvers, graphite paddles, bead release,etc.. Special attention is given to the nature of soft glass, COE compatibility, and proper cooling.
Through guided demonstrations, you will explore the fundamental techniques of bead shaping — from round basics to more sculptural forms like ovals, barrels, hearts, bicones and figurative beads. You'll also learn essential surface decoration methods including stringer application, dot work, encasing, and simple layering to create depth and complexity in your designs.
Along the way, the class introduces the principles of color theory and glass reactions and the use of silver foil. You’ll also develop basic troubleshooting skills to overcome common issues such as cracking, bubbling, and devitrification.
The class includes an introduction to hollow beads for beginners— and blown beads for advanced beginners. Both techniques challenge your control of heat, shape, and wall thickness.
During the class or in your open studio time, whether you’re building a consistent set, experimenting with personal motifs, or developing a signature style, this course supports your growth as both a maker and designer. You’ll leave with a collection of finished beads, the foundational skills for continued independent practice, and the inspiration to keep the torch burning.
This is a perfect class for beginners or for those who feel they need to review their basic skills in order to go further in their exploration. But you have to remember that learning how to work with hot glass is a personal and unique path. Take your time and don't be afraid to make mistakes.
Evening Open Studio
Studios are open until 9:30PM for students to practice. Depending on the class, process, and techniques, this time might be highly suggested by instructors for students to use. In other classes, this time might be considered optional.
For more information, please review Summer Intensives.
Learn more about Alessia Fuga at www.alessiafuga.com
Beginning the Journey
with Beyvan Schantz & Lyla Nelson
This beginner glassblowing class will introduce you to the hot shop. We will start by gathering glass out of the furnace, then introduce blowing bubbles and learn to apply hand and tool techniques. By the end of the week, you’ll be working with a partner to create functional vessels you can use. Following this class, you should feel comfortable in any hot shop with an understanding of the tools, processes, teamwork, and communication involved in making blown glass work.
All levels are welcome.
Evening Open Studio
Studios are open until 9:30PM for students to practice. Depending on the class, process, and techniques, this time might be highly suggested by instructors for students to use. In other classes, this time might be considered optional.
For more information, please review Summer Intensives.
Learn more about Beyvan Schantz at www.beyvanschantz.com
and Lyla Nelson at www.lylanelson.net
Glass Cartographies: Image to Form
with Josefina Muñoz Torres
This class invites illustrators, painters, designers, photographers, and anyone interested in the graphic image to experiment with the possibilities of pictorial representation on glass. You will explore kiln-based processes such as fusing, slumping, layering, draping, and incorporating images through both digital and analog approaches.
The five-day class emphasizes developing a personal visual language while investigating the interplay of transparency, image, texture, and form. A collaborative spirit will be encouraged, with projects that capture, distort, and reinterpret landscapes, memories, and visual narratives.
Students will produce a series of small experimental works as technical studies and one finished piece integrating glass enameling, photo transfer, and layering. By the end of the class, you will be able to independently operate a glass kiln and sandblaster, and confidently translate your imagery onto glass.
This class welcomes all skill levels. It can be an excellent option for people with no glass experience and also for glassblowers who want to incorporate imagery into their blown shapes. All are encouraged to take advantage of open studio hours.
Evening Open Studio
Studios are open until 9:30PM for students to practice. Depending on the class, process, and techniques, this time might be highly suggested by instructors for students to use. In other classes, this time might be considered optional.
For more information, please review Summer Intensives.
Learn more about Josefina Muñoz Torres at www.josefinamunoz.net
Historical Objects, Contemporary Methods
with Ryan Tanner
In this cross-disciplinary class, you will use the torch to create objects out of glass that will then be engraved by handheld diamond tools. Inspired by the origins of engraving, we will investigate how to recreate some of the first known works carved by humanity. As we make our own versions of these objects, we will experiment with how to combine these techniques and processes into our individual artistic practices.
Students will start by developing a basic knowledge of torchworking in the Flame Shop to create their own cabochon and cylinder seal shapes. Once these objects are made, we will take them to the cold shop, where you will learn the art of engraving with handheld diamond drills. We will also introduce other various coldworking techniques such as lapidary grinding and sandblasting to shape and assemble our projects.
Through the study of ancient glassmaking and engraving, you will explore different ways to adapt to the changes in materials and technologies from history to the present. As a team of researchers, we will learn to remake these objects in a contemporary, but still true-to-process method.
All levels are welcome from beginners to intermediate students.
Evening Open Studio
Studios are open until 9:30PM for students to practice. Depending on the class, process, and techniques, this time might be highly suggested by instructors for students to use. In other classes, this time might be considered optional.
For more information, please review Summer Intensives.
Learn more about Ryan Tanner at https://www.ryeglass.com/about
Waves Through Space: Color Theory and Suspended Forms
with Kacie Lees
Light is energy in motion—electromagnetic pulses that radiate through space. In this immersive, hands-on neon intensive, you will explore light not just as a physical phenomenon, but as a material for glowing, sculptural expression.
After an introduction to the physics of lightwaves and the chromatic composition of neon phosphors and gas, we will move into the lab to shape vibrant colors into fluid forms on the ribbon burner. Students will explore motion, energy, and spatial presence and learn how to safely install their sweeping gestures suspended from above. Basic sign-making techniques, including traditional bends, wall-mounting, and wiring, will be covered.
This five-day class is ideal for both beginners and experienced makers seeking to expand their practice.
Additional Class Materials + Fees
- $60 for neon transformer
- A blowhose is required is required for this class. Students may bring their own or blow hose kits will be on site for purchase for $40.
Evening Open Studio
Studios are open until 9:30PM for students to practice. Depending on the class, process, and techniques, this time might be highly suggested by instructors for students to use. In other classes, this time might be considered optional.
For more information, please review Summer Intensives.
Learn more about Kacie Lees at kacielees.com
Experimental Kilnforming with Recycled Glass
with Morgan Gilbreath
Learn how to embrace the unique working properties of found, recycled, and manufactured glass. In this experimental five-day class, you’ll be introduced to the creative possibilities of repurposed glass in the kiln and cold shop. Guided by demonstrations and technical lectures, we will complete a fast-paced series of kiln tests and small sculptures utilizing various types of found and collected glass.
Evening Open Studio
Studios are open until 9:30PM for students to practice. Depending on the class, process, and techniques, this time might be highly suggested by instructors for students to use. In other classes, this time might be considered optional.
For more information, please review Summer Intensives.
Learn more about Morgan Gilbreath at www.morgangilbreath.com
3D Multiple Layers Fusing
with Emma Varga
During this class, Emma will introduce her original method of fusing and casting multiple layers of glass, which she has been exploring and developing, with great success, for past 20 years. This innovative technique enables fusing/casting of thin glass sheets used to set up layers composed of tiny mosaic-like elements, thus achieving three-dimensional images inside the transparent fused/cast sculptural object.
This class will focus on a new way of three-dimensional thinking in creating glass objects; on using properties of glass to achieve visual effects as well as to achieve a sense of movement within cast glass objects. You are not required to have previous experience in glass fusing. Beginners will be able, along with students possessing advanced glass fusing skills, to create and finalize their own three-dimensional glass objects during this class. Additionally, you will receive basic information about grinding and polishing three-dimensional glass objects. At all times, students will have access to an extensive digital gallery in Emma’s laptop including images of recent work as well as closeups revealing fine details on layers inside the glass object. Expect to discover an exciting new method of creating images within transparent three-dimensional glass objects.
In the past 10 years, Emma experimented with new techniques such as glass mosaics made from pre-fused elements, as well as sculptural objects constructed from tiny pâte de verre elements - a rather unusual and innovative application of pâte de verre technique. Another field of experimentation is using pâte de verre elements for inclusion onto layers of fused/cast objects. During her class, Emma will demonstrate and explain these methods, as well as vast possibilities and combinations. Students will be encouraged to experiment and play with kilnforming techniques in order to create a range of small fused, cast objects.
Evening Open Studio
Studios are open until 9:30PM for students to practice. Depending on the class, process, and techniques, this time might be highly suggested by instructors for students to use. In other classes, this time might be considered optional.
For more information, please review Summer Intensives.
Learn more about Emma Varga at www.emmavarga.com