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Flowers and Fauna
with David Licata
Inspired by the complexity of nature, this flameworking class will break it all down to the basics. From glass flowers, and trees to coral reefs, bring your creativity and talent to the table and to the torch.
The five-day class will be tailored to each student's abilities so all levels are welcome. Demonstrations will be tailored to individual students.
Evening Open Studio
Studios are open until 9:30PM for students to practice. Depending on the class, process, and techniques, this time might be highly suggested by instructors for students to use. In other classes, this time might be considered optional.
For more information, please review Summer Intensives.
Learn more about David Licata at www.Davidlicata.com
A Deeper Image—Flourishes, Fancies, and Festoons in Hot Casting
with JW May
Hot casting is more than just pouring glass into a mold.
In this five-day class, we will use blown/hot worked, torchworked, kiln cast, fused, coldworked and hot cast glass components, as well as metal and unconventional materials, and combine these many different parts into multi-layer hot castings. We’ll also add imagery through several different methods, including decals and silk screening. Beginning with the construction and selection of elements, we will discuss investing the objects into the sand, layering them with hot glass, adding more and more components and layers in the kiln.
Using premade parts and hot castings, we will create a work divested from traditional open-face hot castings and utilizing all the best qualities of different glass processes.
You will also learn the basics of hot glass casing into sand molds. Using organic and found objects to make impressions into the sand, hot glass will be ladled into the form, as well as some metal and graphite molds. We will treat the sandbox as a canvas for collage, improvisation, and rapid prototyping.
You are encouraged to bring a variety of small, rigid objects that can be pressed into the sand as well as some small organic items, such as leaves and flowers, which can be ladled over. Emphasis will be placed on a general survey of tips and tricks for making successful and unique objects as well as linking and displaying those works.
Students should bring a sizable (as much as possible) and varied library of reference material and objects to work from.
This class is great for glass artists who are experienced in other techniques that want to bring their fusing, or casting, or torchworked objects into the hot shop in an unconventional way.
Beginners and non-glass artists are also very welcome so long as you don't mind playing in the sand.
Evening Open Studio
Studios are open until 9:30PM for students to practice. Depending on the class, process, and techniques, this time might be highly suggested by instructors for students to use. In other classes, this time might be considered optional.
For more information, please review Summer Intensives.
Learn more about JW May at www.jwmay.com
Strata-Exploring Color and Creativity
with Morgan Madison
In this class we will explore layering transparent sheet glass to create rich color palettes and artwork of depth and character. This comprehensive kilnforming class is designed to inspire you, enhance your technical skills, challenge you to think critically about your work, and deepen your experience working with color in kilnforming. We will cover all aspects of Madison’s process of working with sources of inspiration, designing with analog and digital tools, cutting and assembly of compositions, and firing.
We will begin by designing and creating test pieces to explore possible outcomes and develop an understanding of how colors interact when layered. This foundation will guide our approach to subsequent projects that are well-considered and thoughtfully crafted. Throughout the course we will work one-on-one to strategize and tailor the techniques and process to fit your skills, style, and interests.
Discussion of firing schedules, finishing work in the cold shop, and strategies for presenting your work for display will round out the content. Outcomes will include test pieces valuable for future reference and at least one well-considered work that is brought to completion. We will also have the chance to create a simple custom-made stand for presenting this work.
The aim of this class is to be a lasting experience that provides you with simple yet powerful tools to support the pursuit of your unique visions in kilnformed glass efficiently, confidently, and to have fun while doing so.
This class is suited to a variety of levels of experience in kilnforming but a foundation of basic glass cutting skills will be highly advantageous. Digital design tools that will be used include Sketchbook (a free and accessible app available for most tablets) and Photoshop.
Evening Open Studio
Studios are open until 9:30PM for students to practice. Depending on the class, process, and techniques, this time might be highly suggested by instructors for students to use. In other classes, this time might be considered optional.
For more information, please review Summer Intensives.
Learn more about Morgan Madison at morganvanmadison.com
Deep Relief Dry Plaster Casting
with Sean Hennessey
Discover an easy, versatile, and economical way to create bas relief and deep relief kilnformed glass. Using found objects and fabricated forms, you’ll press originals into plaster powder to create backgrounds and foregrounds, then slump sheet glass into your molds. Working with Tekta Clear Bullseye glass and glass paints, you’ll learn glass cutting, moldmaking, and the kiln schedule for this technique. With minimal coldworking, you’ll use a wet tile saw and wet belt sander to finish your pieces.
This remarkable and nearly waste-free casting method offers endless possibilities for fine art, public art, and architectural applications.
This five-day class is suitable for beginners or experienced glass sculptors, and all skill levels.
Evening Open Studio
Studios are open until 9:30PM for students to practice. Depending on the class, process, and techniques, this time might be highly suggested by instructors for students to use. In other classes, this time might be considered optional.
For more information, please review Summer Intensives.
Learn more about Sean Hennessey at Sean-hennessey.com