Take your pattern making in glass up a level…. to two layers!!

In this five-day class with Ian Chadwick, you will explore how the arrangement and use of transparent colors can produce intriguing geometric patterns within two layers of glass.

Using Bullseye stringers you’ll learn the principles of accurate stringer arrangement and explore how deliberate arrangement can create striking geometric compositions. From there, the class will investigate the possibilities of cutting and arranging geometric components and the transformative effects of layering transparent linear patterns.

We will cover principles of glass cutting and coldworking and produce a panel and a drop through vase with which we will cover the process of rim removal and coldworking with Silicon Carbide or diamond abrasive lap wheels.

Students must be of an intermediate level as accurate hand cutting of glass is fundamental to this class. Techniques to improve your cutting, and ultimately your confidence, will be covered.

Evening Open Studio

Studios are open until 9:30PM for students to practice. Depending on the class, process, and techniques, this time might be highly suggested by instructors for students to use. In other classes, this time might be considered optional.

For more information, please review Summer Intensives.

Learn more about Ian Chadwick at www.ianchadwickglassart.co.uk

During this class, Emma will introduce her original method of fusing and casting multiple layers of glass, which she has been exploring and developing, with great success, for past 20 years. This innovative technique enables fusing/casting of thin glass sheets used to set up layers composed of tiny mosaic-like elements, thus achieving three-dimensional images inside the transparent fused/cast sculptural object.

This class will focus on a new way of three-dimensional thinking in creating glass objects; on using properties of glass to achieve visual effects as well as to achieve a sense of movement within cast glass objects. You are not required to have previous experience in glass fusing. Beginners will be able, along with students possessing advanced glass fusing skills, to create and finalize their own three-dimensional glass objects during this class. Additionally, you will receive basic information about grinding and polishing three-dimensional glass objects. At all times, students will have access to an extensive digital gallery in Emma’s laptop including images of recent work as well as closeups revealing fine details on layers inside the glass object. Expect to discover an exciting new method of creating images within transparent three-dimensional glass objects.

In the past 10 years, Emma experimented with new techniques such as glass mosaics made from pre-fused elements, as well as sculptural objects constructed from tiny pâte de verre elements - a rather unusual and innovative application of pâte de verre technique. Another field of experimentation is using pâte de verre elements for inclusion onto layers of fused/cast objects. During her class, Emma will demonstrate and explain these methods, as well as vast possibilities and combinations. Students will be encouraged to experiment and play with kilnforming techniques in order to create a range of small fused, cast objects.

Evening Open Studio

Studios are open until 9:30PM for students to practice. Depending on the class, process, and techniques, this time might be highly suggested by instructors for students to use. In other classes, this time might be considered optional.

For more information, please review Summer Intensives.

Learn more about Emma Varga at www.emmavarga.com

In this class we will explore layering transparent sheet glass to create rich color palettes and artwork of depth and character. This comprehensive kilnforming class is designed to inspire you, enhance your technical skills, challenge you to think critically about your work, and deepen your experience working with color in kilnforming. We will cover all aspects of Madison’s process of working with sources of inspiration, designing with analog and digital tools, cutting and assembly of compositions, and firing.

We will begin by designing and creating test pieces to explore possible outcomes and develop an understanding of how colors interact when layered. This foundation will guide our approach to subsequent projects that are well-considered and thoughtfully crafted. Throughout the course we will work one-on-one to strategize and tailor the techniques and process to fit your skills, style, and interests.

Discussion of firing schedules, finishing work in the cold shop, and strategies for presenting your work for display will round out the content. Outcomes will include test pieces valuable for future reference and at least one well-considered work that is brought to completion. We will also have the chance to create a simple custom-made stand for presenting this work.

The aim of this class is to be a lasting experience that provides you with simple yet powerful tools to support the pursuit of your unique visions in kilnformed glass efficiently, confidently, and to have fun while doing so.

This class is suited to a variety of levels of experience in kilnforming but a foundation of basic glass cutting skills will be highly advantageous. Digital design tools that will be used include Sketchbook (a free and accessible app available for most tablets) and Photoshop.

Evening Open Studio

Studios are open until 9:30PM for students to practice. Depending on the class, process, and techniques, this time might be highly suggested by instructors for students to use. In other classes, this time might be considered optional.

For more information, please review Summer Intensives.

Learn more about Morgan Madison at morganvanmadison.com