Filter by Category
Hot Shop
in Studio
Building Your Tool Box
with Nate Cotterman & Adam Holtzinger
This five-day class will focus on skill building through repetition of technique. We will work through simple forms that can be used as building blocks for many complex ideas and designs. We will address everything from the arrangement of your bench and how you move through the shop, to starting and finishing your piece with accuracy and intention. We will use drawing and calipers to pre-visualize our ideas prior to going into the shop. Color techniques will be covered as skills develop, but this course will mainly focus on blowing glass accurately and efficiently and being able to repeat the process to get desired results.
This class welcomes those with some glass experience and the desire to enhance their skillset. Those interested should know how to gather and the basics of blowing glass.
Evening Open Studio
Studios are open until 9:30PM for students to practice. Depending on the class, process, and techniques, this time might be highly suggested by instructors for students to use. In other classes, this time might be considered optional.
For more information, please review Summer Intensives.
Learn more about Nate Cotterman at
New Beginnings in Hot Glass
with Jon Sirockman
This is an introduction to glassblowing, no prior experience in the hot shop is needed! We will learn the basics of gathering glass independently of the instructors, moving through the studio, shaping, and reheating the glass to create glass sculptures and vessels that will be solely your own.
We will cover safety and proper use of studio equipment and tools, how to create solid shapes, and then move into breathing life into the glass, concentrating on simple drinking vessels, and the basics of shaping more advanced pieces. This five-day class will set the foundation for you to take more advanced classes in the future.
This class is for beginners who have no experience in the hot shop. If you have had some or limited experience, that is alright. We will be using teambuilding and skill drills to establish a solid foundation in glass.
Evening Open Studio
Studios are open until 9:30PM for students to practice. Depending on the class, process, and techniques, this time might be highly suggested by instructors for students to use. In other classes, this time might be considered optional.
For more information, please review Summer Intensives.
Learn more about Jon Sirockman at https://www.instagram.com/sirockman_glass/?hl=en
Time Spent on Subtleties
with Annette Blair
Drawing inspiration from our personal connections to objects and organic elements, we will work towards creating a small still life composition with a focus on finessing the little details. Together we will work through the best ways to approach each object in the hot shop, considering both technical and aesthetic possibilities. You will experiment with incorporating coldworked elements into blown and hot sculpted forms and will also be introduced to basic low-fire enamel painting techniques.
This class is suited to intermediate level glassblowers with basic coldworking skills. Students will work on their individual objects and ideas as well as collaborative problem solving.
Evening Open Studio
Studios are open until 9:30PM for students to practice. Depending on the class, process, and techniques, this time might be highly suggested by instructors for students to use. In other classes, this time might be considered optional.
For more information, please review Summer Intensives.
Learn more about Annette Blair at https://www.annetteblairglass.com/
Stealing Fire, Taming Lightning
with Percy Echols II
This five-day class is an introduction to the emerging artistic medium known as plasma light art. We will combine the fundamentals of physics and furnace glassblowing to create illuminated glass sculptures – the proverbial lightning in a bottle!
There is something magical about this process of making light. By producing light through the use of electrified gases, we create an invitation for play as it responds to your proximity and touch. If you think this is neon, you will be surprised how different this will be. Plasma light art is an evolving and experimental art form. If this sounds interesting, then I invite you to come join us.
We will cover the fundamentals for creating a vacuum tight vessel using various hot glass techniques and shaping methods. We will also discuss guidelines on form and structure, design considerations, and preparing your sculptures to be filled.
Our class time will start with demonstration, practice exercises, lecture/discussion and offer as much work time as possible. When you include having to fill our sculptures with gas, we will need all the time the class has to offer! Expect to make use of open studio time.
A list of easy to digest resources is available to prepare yourself at “Plasma Primer: Learning Resource for Students, Co-learners, and Educators” on taminglightning.net
Hot glassblowing has always been a collaborative art making process. This class requires some basic hot glass skills and an open mind prone to misdirection. So it’s important that you are comfortable working in the hot shop and working with a partner. This means you have a working knowledge of glassblowing fundamentals, while you may need some guidance here or there, and the ability to work through independent ideas with coaching and demonstration.
Evening Open Studio
Studios are open until 9:30PM for students to practice. Depending on the class, process, and techniques, this time might be highly suggested by instructors for students to use. In other classes, this time might be considered optional.
For more information, please review Summer Intensives.
Learn more about Percy Echols II at www.taminglightning.net
A Deeper Image—Flourishes, Fancies, and Festoons in Hot Casting
with JW May
Hot casting is more than just pouring glass into a mold.
In this five-day class, we will use blown/hot worked, torchworked, kiln cast, fused, coldworked and hot cast glass components, as well as metal and unconventional materials, and combine these many different parts into multi-layer hot castings. We’ll also add imagery through several different methods, including decals and silk screening. Beginning with the construction and selection of elements, we will discuss investing the objects into the sand, layering them with hot glass, adding more and more components and layers in the kiln.
Using premade parts and hot castings, we will create a work divested from traditional open-face hot castings and utilizing all the best qualities of different glass processes.
You will also learn the basics of hot glass casing into sand molds. Using organic and found objects to make impressions into the sand, hot glass will be ladled into the form, as well as some metal and graphite molds. We will treat the sandbox as a canvas for collage, improvisation, and rapid prototyping.
You are encouraged to bring a variety of small, rigid objects that can be pressed into the sand as well as some small organic items, such as leaves and flowers, which can be ladled over. Emphasis will be placed on a general survey of tips and tricks for making successful and unique objects as well as linking and displaying those works.
Students should bring a sizable (as much as possible) and varied library of reference material and objects to work from.
This class is great for glass artists who are experienced in other techniques that want to bring their fusing, or casting, or torchworked objects into the hot shop in an unconventional way.
Beginners and non-glass artists are also very welcome so long as you don't mind playing in the sand.
Evening Open Studio
Studios are open until 9:30PM for students to practice. Depending on the class, process, and techniques, this time might be highly suggested by instructors for students to use. In other classes, this time might be considered optional.
For more information, please review Summer Intensives.
Learn more about JW May at www.jwmay.com
Form, Pattern, Texture: Hot and Cold Glass
with Ben Edols & Kathy Elliott
This 11-day class* will move between making blanks in the hot shop that will then be worked in the cold shop. We will explore techniques that specifically incorporate blown and carved techniques: cameo carving and Graal. We will also demonstrate and explore other techniques such as cane pulling and cane application in the hot shop, vessel blowing for coldworkers, diamond wheel carving, sandblasting, and creating various surface finishes.
Overall we will be asking students to be intentional about the form, pattern, and texture of the work they will be making. Our aim is to explore a little of what is possible. Perhaps it will expand your repertoire. Perhaps this is your opportunity to refine your skills. It will be these three elements that will drive the direction of what you explore during the class but working in new ways and trying new combinations will be encouraged.
Students should be prepared with ideas and drawings to get the most out of this class. Discussion of ideas and drawings will be a part of this class.
Advanced level glassblowing is preferred and basic cold working skills are fine.
*Class runs Monday through Saturday for the first week, and Monday through Friday for the second week.
Evening Open Studio
Studios are open until 9:30PM for students to practice. Depending on the class, process, and techniques, this time might be highly suggested by instructors for students to use. In other classes, this time might be considered optional.
For more information, please review Summer Intensives.
Learn more about Ben Edols and Kathy Elliott at www.edolselliott.com